Wednesday, October 31, 2007
16th Meyer Whitworth Award Winner Announced
I would have to concur with Stuart Mullins (chair of the Meyer Whitworth judging panel) when he said about the play: "...without doubt an exciting and original voice that British theatre must nurture and cherish. The piece is truly theatrical and could be created through no other medium – its visual, visceral, poetical and magical…..it's ‘theatre’.”
Tuesday, October 16, 2007
Between LongPens and Nobels; blocked loos and power cuts; it went entirely unnoticed by the gather literary types that AL Kennedy (sadly not programmed for this year's festival - I live in hope for 2008) had been awarded the Österreichische Staatspreis für Europäische Literatur (Austrian State Prize for European Literature). So not everyone has heard of it, and at €25,000 it isn't huge like, say the IMPAC or the Nobel, or the Booker, however it has a rather grand sounding title and you'd think that there might be some tiny mention of it somewhere in a British newspaper? Wouldn't you?
I've not paid any proper attention to this year's Booker Prize, but I'm going to say that I hope Anne Enright does win. I've only read Enright's The Gathering and McEwan's On Chesil Beach so have limited basis for any informed judgment. What I really hope is that On Chesil Beach does not win. It is usually broadcast on the 10 o'clock news, but I'll probably be asleep by then...
Thursday, August 23, 2007
Cheltenham Literature Festival 2007
Thursday, July 19, 2007
Putting aside debates about the value of the - so called - experiment (it is probably better described as an exercise in time wasting) to see if Austen would make the cut with the publishing houses of today, I would like to take this opportunity to raise yet another reason why you should all put those Harry Potter books down and go out and buy yourself a copy of Tod Wodicka's All Shall Be Well; And All Shall Be Well; And All Manner of Things Shall Be Well.
What is that reason? Alex Bowler (yes the very same Austen spotter) is the editor. And a wonderful job he has done with Wodicka's book too: here we have a good editor who can spot good literature when he sees it and doesn't like to see it messed around with.
Thursday, July 12, 2007
Short Stories
"Stories are allegedly what novelists knock off when they're feeling lazy, mere journalism with a dash of purple prose, something to read in the toilet, a waste of trees.
At which point I get a migraine and then ask you to bear with me for a moment, because together we have to rediscover what the short story is really all about. So go and get a glass, maybe one with a stem, if you're in that kind of household, but definitely a glass, not one of those plastic things your children chuck at one another. I'll wait here.
Sitting comfortably? Then I'll begin. Tap the glass gently with your nail, or a pen. If the glass has a fault or a crack, it won't make much of a sound. If it's flawless, it will sing, resonate beyond itself. That's the best way I can show you the nature of the short story. It may be small, fragile, but to create that kind of seamless clarity - that's a massive challenge to any writer, and a remarkable gift for any reader... make no mistake, the short story is an exercise in perfection."
A perfect description of a perfect form.The full article can be read on The Independent's website.
Wednesday, July 04, 2007

I mentioned the other day that Tod Wodicka's wonderful first novel All Shall Be Well; And All Shall Be Well; And All Manner Of Things Shall Be Well, has a wonderful cover so here it is. It is published next Thursday, and it is in paperback so no excuses about it being too heavy for your luggage when you go on holiday.
Thursday, June 28, 2007
Well that seems to have got me started.
I should really begin by mentioning AL Kennedy's book Day, which was published by Jonathan Cape in April. I read it back in December in proof format and thought it wonderful, honest, and achieved. It is a novel ambitious for the form and therefore not constricted. However not all those book reviewers out there have agreed with me, but I do urge you to read it. I like it because it is not strapped into a straight jacket - although the main character might think he should be - it is not linear in its narrative - I don't much like linear - and takes Kennedy's use of the second person to a new level. I was hyping it all last year before I read it and I can safely say that it lived up to expectations and also exceeded them.
Now the excuses: I know that saying that I've been busy since the end of Cheltenham Literature Festival last October is a very lame excuse, but I have been busy and somewhat computer-less since my two batteries for my laptop gave up the goat (I do mean goat not ghost), and the very old iMacs we had at work until last week were not capable of supporting any sort of browser without crashing. But we have lovely shiny new Mac Minis now with Firefox...
I left the festival in November last year. I enjoyed it immensely but my time was up. While I was sad to go it was, in hindsight, the right course of events. In January - I can't quite believe that six months have passed already - I started working for writernet and also as a teaching assistant/seminar leader in the School of English and Drama at Queen Mary, University of London.
Oh, and I brought a cottage in Suffolk - hence the red Dahlia's as a gift. I shall be spending my summer restoring it.
Book recommendation for July - aside from Day which you should buy today, on you way to the tube, bus, church, village hall, supermarket, farm shop, home etc - All Shall Be Well; And All Shall Be Well; And All Manner Of Things Shall Be Well by Tod Wodicka is published by Cape on the 12th July is wonderful and beautiful and has a lovely front cover which is not an abstract from a postmodern photograph.
Being back in London means that I get to go to the theatre without having to do battle with long armed torygraph readers and First Great Western, and I've seen some brilliant, refreshing and imaginative work including Katie Mitchell's productions Waves and Attempts On Her Life at the National Theatre and the National Theatre of Scotland's production of Anthony Neilson's The Wonderful World of Dissocia at the Royal Court ranking highly. I wasn't sure what to make of the ENO's Death in Venice, though - perhaps I was too distracted by the very uncomfortable balcony seats, next time I will stand.
I'm off now to do battle with One Railway - that unholy alliance of four train companies which serves East Anglia.
Monday, October 09, 2006
Cheltenham Literature Festival
There have been so many interesting, stimulating and wonderful events it is difficult to know where to begin. My number one event so far has been Stephen Poliakoff on Saturday 7th October, and our three events on Sunday 8th October with the RSC were exciting and fascinating, Shakespeare's Women with Tamsin Greig and Jane Lapotaire, Patrick Stewart and Harriet Walter talking about Anthony and Cleopatra, and Janet Suzman giving the Shakespeare Lecture.
Today has seen the first of the Festival's commissions performed (and broadcast on Radio 4) by Helen Simpson - its a wonderfully funny short story and if you didn't catch it then you can listen to it again on the BBC Radio 4 website - http://www.bbc.co.uk/radio4/tellingtales/pip/n320n/.
Tommorrow of course sees the Booker awarded....
Thursday, September 14, 2006
Booker Short List
Kiran Desai - The Inheritance of Loss (Hamish Hamilton)
Kate Grenville - The Secret River (Canongate)
M.J. Hyland - Carry Me Down (Canongate)
Hisham Matar - In the Country of Men (Viking)
Edward St Aubyn - Mother’s Milk (Picador)
Sarah Waters - The Night Watch (Virago)
I'm very sorry to see that James Lasdun isn't there as his book Seven Lies is very fine. However I'm glad to see M.J. Hyland there. I've got a proof copy of Hisham Matar's book by my desk and we're currently debating its merits....
Tuesday, September 12, 2006
Beginnings and Endings
The Ottakar's in Cheltenham is no more ... last night as I walked home it was being refurbished and this morning when I walked into work it had become Waterstone's. The branding is slightly different from the old Waterstone's stores - white and black instead of gold and black.
So as you pass your local Ottakar's take a moment to frequent it before it is no more.
Monday, September 11, 2006
One for the history books
Aside from the (mostly) unsporting activities of books (they occasionally require lifting, and are heavy) and turnips (all that digging is much more exciting than the gym) I sometimes dally in the world of sport. Not the partaking you understand, only as an onlooker, and even then I'm very selective - tennis and three-day eventing. Having worked in eventing ( did the wholly unglamorous job of being an event groom and loved it while it lasted, but am now too much of a cripple) I know that it can be at turns punishing and wonderfully rewarding - rather like the world of books - and this weekend saw both in shovelfuls. Andrew Hoy was in line for the Rolex Grand Slam - $250,000, which is a huge amount for a rider and has only been won once before by Pippa Funnel in 2003 - having won Kentucky and Badminton this year, all he had to do was win Burghley and he was there - but sadly it wasn't to be, with three poles down in the show-jumping - the final discipline out of Dressage, Cross-country and Show-jumping - he went down to second place.
But while one rider lost out on the biggest prize in eventing, another won the biggest event of her career to date, the British born Lucinda Fredericks (she married the Australian Clayton Fredericks so now rides for Australia) stormed away with the Land Rover sponsored prize money of £45,000 with a faultless clear round in the show-jumping, with a wonderful little mare (15.3hh) called Headley Britannia who tried her heart out and has been rewarded with her place in eventing history after becoming the first mare in 33 years to win the competition.
But its back to books now ... am off home with a copy of Gail Jones' Dreams of Speaking, published by Harvill Secker.
Thursday, September 07, 2006
Harvest
And at work things are somewhat the same - almost all the books have arrived, and the festival is a month away, which means further temptations for this blogger. Christopher Hope's new novel has arrived - My Mother's Lovers published by Atlantic - as has Victor Sebestyen's book on the Hungarian Revolution in 1956 - Twelve Days published by Weidenfeld & Nicolson.
The trouble is that I have no time to read them. But come November when the nights have drawn in my time will be devoted to reading books, instead of just talking about them.
Wednesday, September 06, 2006
Digesting the Booker
Of the big publishing houses:
With 5 titles from 4 imprints Random House dominates.
Peguin has 4 titles from 2 imprints.
Pan Macmillan has 2 titles from it imprint Picador (who published last year's winner).
Hodder has 1 title with imprint Sceptre.
Little Brown has 1 title with imprint Virago.
Of the Independent Publishers:
Faber & Faber, Cannongate and Bloomsbury have 2 titles each.
With the shortlist just eight days away I dare say the judges are in for another epic debate on what stays and what goes. My personal shortlist keeps changing, but today is: Seven Lies by James Lasdun, The Testement of Gideon Mack by James Robertson, Carry Me Down by M.J. Hyland, So Many Ways to begin by Jon McGregor, The Secret River by Kate Grenville, The Night Watch by Sarah Waters.
This of course will have changed by tomorrow. Except for Lasdun who has stayed on all my shortlists....
Saturday, September 02, 2006
Walking Over Books
With little over a month to go before the 57th Cheltenham Literature Festival begins everything is about to take off in our office - with everything from book deliveries to the colour of the tent lining to be sorted out. Having done a big clear out a month ago we're now piled high with books again - indeed you can't really move for books, and boxes of books, and parcels of books waiting to be posted, and very soon walking into the office every morning is going to be like climbing through over-growth, or paradise.
Wonderful though it is to be surrounded by so many books, it is also something of a struggle: books mean temptation, and my recent rummage amongst the leaves of the many titles we have turned up several temptations ... In no particular order:
The London Pigeon Wars by Patrick Neate (Penguin)
Ancestor Stones by Aminatta Forna (Bloomsbury)
Fatal Purity by Ruth Scurr (Chatto & Windus)
The Vanishing Act of Esme Lennox by Maggie O'Farrell (Headline Review) (I have to admit that I am seduced by titles, and this is one of them)
Gautam Malkani's much-talked-about-first-novel Londonstani may win me over.
I realise I'm lagging somewhat behind with reviews of what I've read ... I'll get there soon.
