Friday, May 18, 2012

Update

I haven't been blogging for a while because between January and March I was teaching and marking and attempting (and failing) to make progress with my PhD, and then the beginning of April managed to produce the Worst Week of My Life - which we won't go into because it makes me sad.

Yet more marking has arrived and I have a week to do it; once the marking is off my desk I will have five weeks to write chapter 4 of my PhD and until 7th January 2013 to finish my PhD. That is an actual, set in stone, deadline.

The blogging will continue to be erratic, and may consist of 'Please make it stop' at various intervals. In the meantime, a guest blog post by my friend Peter Falconer about our experiences at Einstein on the Beach a couple of weeks ago will appear here when Mr Falconer has deciphered his notes (he was very studious and filled most of a notebook). Since Einstein we've been to The Flying Dutchman at the ENO, which was much shorter, but also much less amazing, but did boast some very excellent video projection designed by Nina Dunn.

A while back I wrote about the importance of titles, and Peter has written along similar (but probably more amusing) lines about song titles. If you are interested you can find the post on the PFlog.

Friday, May 11, 2012

Links to Stuff V

I was away for half of April in Canada for the History, Memory, Performance conference at the University of Ottawa, and before that I was teaching and marking, so I've not had much time. This is a quick 'Links to Stuff' post before I get back to posting (hopefully) more often.

While I was away AL Kennedy's Sunday Feature on Art and Madness was broadcast on Radio 3 on Sunday 22nd April. I've yet to listen to it yet, but it is available on iplayer.

On Tuesday night Peter Falconer and I went to see Einstein on the Beach at the Barbican. We managed not to get lost in the Barbican (which is like a modernist Alice in Wonderland) and sat through the entire 5 hours (it has no interval). One of the most amazing things I have ever seen on stage. The various videos of it on the web do not do it justice - it is definitely one of those productions where you had to be there. It runs at the Barbican until 13th May.